It underwent a revamp in 1967, when a more professional look was adapted with large cards in the background displaying the names of the performers. The show’s earlier episodes featured live performances, and was set in front of a plain brick wall. The show immediately caused a sensation and achieved cult status throughout Germany among the youth, while the older generation hated it. After eight episodes, Augustin stepped down from his hosting role and was replaced by DJ Dave Lee Travis. GRATEFUL DEAD EUROPE 72 TVGerman TV personality Wilhelm Wieben opened the first show with a short speech. The show premiered on 25 September 1965 with Augustin and Uschi Nerke hosting. It was broadcast from Bremen, West Germany on Erstes Deutsches Fernsehen, the national public TV channel of the ARD, and produced by one of its members, Radio Bremen, later co-produced by WDR following the 38th episode.īeat Club was co-created by Gerhard Augustin and Mike Leckebusch. The eighth episode of the seventh season of Beat Club premiered on May 27, 1972, and included just one song from the Dead’s taping, “One More Saturday Night.” Other acts appearing on the same episode included The Kinks, Pacific Gas & Electric, The Rolling Stones, The Doors (post-Jim Morrison) and Chuck Berry.Ī description for the trailer posted by the official Beat Club YouTube channel, which hosts many of the above-mentioned performances including “One More Saturday Night,” explains the history of the program, stating:īeat Club was a German music program that ran from September 1965 to December 1972. In addition to the Grateful Dead, the Beat Club featured dozens of popular acts including Jimi Hendrix, Led Zeppelin, The Who, Frank Zappa, Black Sabbath, Eric Burdon (whose mother attended the Dead’s Newcastle show), War, Cream, Sly & the Family Stone and Creedence Clearwater Revival, among others. There was also not a traditional full-size live audience watching the Dead as they played an eight-song set (including two versions of “Playing In The Band”). Unlike their previous show in Copenhagen, which was the tour’s only other gig recorded for television and also only three-set performance, the Beat Club taping was the only one set engagement of the entire Europe ‘72 Tour. The off days saw the members of the Dead and their entourage of crew, family and friends (totaling around 50 people, spread across two buses) make the 280 miles voyage southwest from Denmark to West Germany. The Beat Club taping took place on Friday, April 21, 1972, following three days off for the band whose lineup at the time consisted of guitarists Jerry Garcia and Bob Weir, bassist Phil Lesh, drummer Bill Kreutzmann, keyboardists Ron “Pigpen” McKernan and Keith Godchaux and vocalist Donna Jean Godchaux. More specifically, the band taped a performance in Bremen, which at the time was in West Germany, for the music performance TV program Beat Club. To celebrate the legacy of the band’s historic tour abroad, JamBase presents a retrospective look back at each of the Europe 1972 Grateful Dead performances.Īfter three performances in England and another three in Denmark, the Grateful Dead’s Europe ’72 Tour made its way to the third country on the itinerary in order to record an appearance on German television. The band performed 22 times between April 7 and May 26, resulting in the landmark triple live LP, Europe ’72 that was released in October of that year. Although few in number, his contributions to Europe '72 are among the most commanding not only of this release, but of his career.In April 1972, the Grateful Dead embarked on their now-legendary Europe ’72 Tour. Sadly, this European jaunt would be the last of its kind to include the formidable talents and soul of founding member Ron "Pigpen" McKernan (organ/mouth harp/vocals), who was in increasingly fragile health. Since their last outing, the group had expanded to include the husband-and-wife team of Keith Godchaux (keyboards) and Donna Jean Godchaux (vocals). Among them are "China Cat Sunflower" - which was now indelibly linked to the longtime Dead cover "I Know You Rider" - as well as "Cumberland Blues," "Truckin'," "Sugar Magnolia," and "Morning Dew." With the additional album the band was able to again incorporate some of their exceedingly stretched-out instrumental improvisations - titled "Epilogue" and "Prelude" here. The band mixes a bevy of new material - such as "Ramble on Rose," "Jack Straw," "Tennessee Jed," "Brown-Eyed Woman," and "He's Gone" - with revisitations of back-catalog favorites. This collection is fashioned in much the same way as their previous release - which had also been a live multi-disc affair. The Grateful Dead commemorated their first extended European tour with an extravagant triple-LP set appropriately enough titled Europe '72.
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